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Illusion Conclusion
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Post-IC: Switch / Start / Stop & On 2
Post-IC: Switch / Start / Stop & On 2
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Transcript
394 utterances · click to jump
00:05
S0
Self, other,
00:08
S0
simultaneous,
00:16
S0
switch.
00:25
S0
That's one VIP.
00:34
S0
Self is there's only me. That's all there is. There's nothing else. There's nobody else. There's nothing else. That's all there is. There's just me.
00:48
S0
This is gonna look like just a little content on the top. Watch out because it takes you all the way down. Other is there's only you. It's a chameleon. There's only you. That's all there is, and I'm playing at you and that's all of my attention is flowing out here. Self is I'm a black hole and it's all flowing in. So this is measured in attention. It's a nice way to measure. Simultaneous is there's me and there's you. You're the way you are. I'm the way I am. We can coexist. This is a good therapist.
01:27
S0
Switch is there's how things are. I happen to know what it is and at some point you're going to catch on.
01:35
S0
You will. You worked long hard at it. You're gonna start getting it. Don't worry. I might even stick with you, teach you a little bit, show you a few things till you start catching on. It's alright. I don't expect you really to know that yet. You'll you'll get it. You will.
01:59
S0
So which of these four do you do? You can't say I do one such and such a place and I do another one somewhere else. There's no such thing. You do the one you do every stinking where you go.
02:16
S0
Everywhere you go.
02:21
S0
It doesn't mean with extensive practice that you can't learn to move between them because you can. That will have you be many more people than you currently are.
02:34
S0
Are are you focused all on yourself? Are you focused all out here? Are you an exchange between the two? Or are you a little Hitler
02:46
S0
running things?
02:51
S0
There are there is a possibility of some complication with some other rocks in the stream with this one. So if I say there's a little complication, just know that that
03:06
S0
Hey, you. Which one do you do? Myself.
03:11
S0
I'm at practice. It's a little bit. I don't get it. I do get that that's her appraisal. That is her appraisal. Yeah. Yeah. Yeah. You let her know I don't get it. Do you want me to tell her that? Yeah. But okay. I will promise. She's a switch. Yes. There's no question about that.
03:32
S1
Don't know. Could I be another? Yeah.
03:34
S2
I think it's everything's
03:35
S0
Does he care what I say and answer to that? No. Yeah. He care. He care. He does? Yes. Doesn't he? Yeah.
03:48
S0
I'd call it, another. That
03:52
S0
is very interesting. Thank you so much, Michael.
03:56
S1
Thank you, sir.
03:56
S0
It's been a pleasure.
03:58
S1
It has. I love you all, and I thank you all.
04:04
S0
He's my roommate, Maggie.
04:08
S0
He's so Joseph has been sleeping with. See, you gotta do what the tabloids would do with it.
04:14
S3
Michael's my middle name.
04:17
S0
Are you sure?
04:20
S2
Possibly.
04:23
S0
Okay. What do you do?
04:29
S4
I just realized I'm switched big time, and I have created my life around me. I won't associate or feel even vaguely comfortable with anybody I can't teach.
04:41
S0
Yes. And you beat the shit out of them.
04:45
S5
Yeah. That too.
04:46
S0
In some degree.
04:47
S4
That true. Yes. Yeah.
04:49
S0
And you're harsh on them and you're tough on them. No tougher than you switch yourself too. You're sitting there like an abusive woman abusing everybody. You switch yourself too.
05:00
S0
Yeah. You start to feel that and you go, oh my god. Am I really that intolerant of myself? Yes. You really are.
05:14
S0
By the way, the right answer on which ones of these you do, who cares? The pursuit of which one you do, the ongoing pursuit of which one you do can be of great use. So please don't trust my appraisal.
05:30
S0
Just play with it. It's a dance. We got a switcher.
05:36
S5
I'm gonna say other.
05:44
S0
I don't get it. I don't get it. I get self. I
05:52
S0
think you have a very specific center of gravity. That's you. And you say, here I am. This is me. You take what you want, but this is me. And this is what you get. Am I mistaken here?
06:07
S6
No. Because that was my original
06:09
S5
that was my original one was self. And then for some reason, I switched the other.
06:16
S0
Not based on outside input,
06:21
S0
which an other would have done.
06:25
S0
You changed it yourself inside. You didn't change it out here.
06:32
S0
Very strong center of gravity over there.
06:38
S2
I would say self.
06:42
S2
If I understand what you're saying.
06:47
S0
I'm I I got that some of you got the joke.
06:55
S2
About 50% of everything I've said has been exactly the opposite anyway, so I'm getting kinda used to the illusions breaking up here. So I'm all good with it.
07:02
S7
Okay.
07:03
S2
But what do you say?
07:04
S0
I mean,
07:05
S2
you gotta be saying other, I would think.
07:09
S0
There's just a constantly outflowing of energy and being influenced from outside.
07:16
S0
It it look. You're constantly taking readings on outside, and it's influencing who you are.
07:27
S2
I I was thinking self because I'm always sucking that energy in or trying to. It's what I see.
07:33
S0
You're being influenced by outside as far as I can tell.
07:37
S2
Okay. I guess I'm starting
07:39
S0
to understand It looks like other to me.
07:42
S2
I'll play with that. I bought
07:45
S0
See, but if you ran south, you wouldn't. You would go, okay. You know, that's your opinion. I'm not particularly interested in it, but that's your opinion.
08:01
S0
But you don't. You go, oh,
08:06
S0
I hadn't thought of that one. And the stuff starts to change inside.
08:12
S2
Cool.
08:14
S0
Any any indication that he's really a nice guy? Yes. Yeah. You wouldn't get that from a self.
08:24
S0
A self isn't not a nice guy. They're just their own guy. That's what it looks like to me. We're gonna do very specific games where you get to play with this and and you'll get more verification of what you do.
08:41
S0
Okay.
08:44
S2
Self.
08:45
S0
I think it's self, and I think there's also a little switch around, but I think it's mostly self.
08:50
S2
Hey. You got it. I I said that it to myself right now. I said
08:55
S7
it's self, which
08:57
S0
So I got it? I was right Because
08:59
S2
because I happen
09:00
S0
to agree with you.
09:01
S2
No. I didn't I didn't dare to say the second one. The first one, I'm I'm sure.
09:07
S0
Yes.
09:07
S2
The second one.
09:10
S0
Not usually a lot of switch men around. There are awful lot of switch women around.
09:17
S0
Okay.
09:21
S7
Other?
09:31
S0
I don't have a problem with that. That's okay. Yeah.
09:37
S5
Well, I guess it must be a switch. It
09:41
S0
could be.
09:44
S0
It's possible.
09:46
S5
Might happen.
09:47
S0
Yes. Now
09:49
S7
how did
09:50
S0
how did That that's a switch.
09:51
S8
How what?
09:52
S0
This is like the picture in the dictionary. What? Switch, Shirley.
10:01
S5
I'm missing what you're saying.
10:04
S0
You exemplify many of the characteristics of a switch.
10:08
S4
Which are?
10:09
S0
What I identified you.
10:13
S0
If you wanna know get to know what switch is just to get to know yourself.
10:17
S3
Julia, you your comment was it might be.
10:22
S0
You get it? Don't you tell people how it is? Oh, yeah. Don't you draw the line for them? Don't you tell them what's what and how it's supposed to be? That switch.
10:33
S5
Okay.
10:36
S5
Here I am.
10:37
S0
There you is.
10:38
S7
Here's another one.
10:39
S0
There's another switcher.
10:41
S4
Like, now we were roommates.
10:49
S7
I have a feeling that I may have an opportunity to soften and possibly move towards the same thing.
10:54
S0
That would be my guess. We can also doing this with some practice, you can do this and you can see the ring closer in and the ring further out. So then you can begin to discern which direction you're going by which ring you're leaning toward. I think you're moving more towards simultaneous. That's my guess.
11:13
S7
And it's in.
11:14
S0
Yes. That's my guess as well.
11:21
S1
So these aren't situational,
11:23
S2
but I I
11:24
S0
feel They're in no way context dependent. Yeah.
11:29
S1
They feel like, other sometimes and switch sometimes.
11:34
S0
K.
11:38
S0
What does he do? I'm taking
11:41
S7
Self. Self.
11:43
S0
Far as I can tell, it's all self,
11:47
S0
which means that virtually nothing reaches escape velocity. It just stays in. Yeah. Virtually nothing reaches escape velocity. It just stays in. Does that make any sense to you? Yeah.
12:03
S7
Switch?
12:04
S0
Far as I can tell.
12:12
S7
Simultaneous.
12:18
S7
Simultaneous?
12:22
S0
What do we get? Other. Far as I can tell, it's other.
12:28
S0
And then she's attempting to resurrect that by complaining about things.
12:34
S0
No. These are really my complaints.
12:39
S1
I had no question last time. It was self. And this time, I'm not as sure.
12:47
S0
It's okay with me if we still call itself.
12:53
S7
I'd say simultaneous.
13:04
S0
Alcohol works for me, you stupid fucking hose head. Shut the fuck up.
13:12
S0
You get it? You don't care what I say.
13:16
S0
Alcohol works. Okay. Do you remember that interaction? No.
13:24
S0
We're talking about the ear thing.
13:26
S7
Oh, okay. Alcohol
13:28
S0
works for me.
13:31
S0
That's not simultaneous. You go into the therapist's office, the therapist says, sit down, shut up.
13:39
S0
This is not a simultaneous therapist.
13:45
S7
But I didn't argue with you. I let you have your opinion even though I didn't feel it was right.
13:51
S0
Was so nice of you to let me have my opinion even though I was wrong.
13:58
S7
Yes. This
14:03
S0
is switch, but with not many people around. But it's still switch.
14:11
S0
The the tightness of the mouth is often an indication of switch.
14:20
S0
The firmness of the disposition. This is the way it is.
14:26
S0
That's different than this is the way it is for me because he doesn't know how it is for her, but he does know how it is for him. That's different. You don't just know how it is for you. You know how it is for them, and they may be screwed up enough, you'll let them have their opinion because why would you bother to talk to such an idiot anyway? You got it? Okay.
14:52
S0
I am being switched right at this moment. The only answer to a switcher is surrender, Dorothy.
15:01
S7
Okay.
15:01
S0
The only that was different. Congratulations.
15:06
S0
See, what you what you've done is you've used switch to keep yourself from everybody because you go ahead and run your own little thing here, and then you pass judgment on everybody that you bother to get close to, and away it goes. I'm very familiar with this pattern. I did it for years and years and years and years. And I always knew the answer and they could say whatever they said and then we would start to shape them toward the right answer because I had a lot of people in my life. You don't have very many so you just shape a few. Got it? There's nothing wrong with any of these. These are all stages of development. These, when you move layers, change. Different VIPs change when you move layers. This doesn't mean you'll always be this. It also doesn't mean you've always been this and there's nothing wrong with it. But if you can't get that you're this,
16:02
S0
then you can't get to know the layer that you're on.
16:07
S0
And that to me comes up as a shame because you're supposed to find out about who you are on the layer that you're on.
16:17
S0
That's that's what allow that's one of the major things that allows you to move.
16:23
S0
And I've seen people who just weren't ready to move. And right in front of them is all the instructions, all the answers. It's telling them right who they are. It's telling them everything they need to know. It's right there.
16:44
S0
And they go, that isn't me.
16:50
S0
That isn't me. And anybody in the world who would look can see that's them except them.
17:00
S0
And that gets me. And that happens sometimes. I'm not saying that's happening here because I get that you're moving stuff around and playing with it.
17:13
S0
I bet your mother ran switch or still does.
17:17
S7
Don't speak to her.
17:22
S0
Oh, boy. Do you understand the joke? You don't speak to her.
17:26
S7
Haven't many, many
17:27
S0
years. Yeah. That's a switch.
17:33
S0
Who else don't you speak to?
17:37
S7
My mother, my father, my brother, my sister, but my other brother and sister I talk to daily.
17:41
S0
K. But you have good reason for not talking to. Very good. Yes. Sufficient.
17:47
S5
Very sufficient.
17:49
S0
Got it. Get it?
17:54
S7
They were negative in my life, so I eliminated them. I said they were negative in my life, so I eliminated them.
17:58
S0
Yeah. But you didn't. You just pretended to because they're still there every single moment because you can't get rid of them. I understand. And I'm not saying you should talk to them. I'm not saying that at all. I'm telling you, switch goes, that's it, that's out.
18:21
S0
Away it goes. Okay. And the next time,
18:23
S5
I'm letting you drink that poison.
18:25
S0
Okay. Good. Thank you. I
18:31
S0
can't believe he told me what to do and my earache went away in about two and a half hours.
18:37
S0
So cool. I love that. Did you hear Do you have any idea how much it hurt? He said there's nothing like an earache. Can you describe the three nerves that meet there? And what this I mean, this guy there's not much he doesn't know
18:55
S0
on any subject. He's an attorney and MD.
19:02
S0
He can look at a a map, and he's a pilot. He can look at a map, take one look, and he's got it now. And he knows all the airports. He knows all the terrain. He knows all the everything. He knows all the these are the kind of people we have playing with us. We have fun. Oh my god. We have fun. Because if I say something to him, he gets it, or he stays with it till he gets it. Then he goes, oh, shit. And then he starts building repercussions of it and how it you get it?
19:36
S0
If you're gonna come up with models like we've come up with, you won't find their models elsewhere.
19:43
S0
The VIPs is direct from NLP. Our cut on it is different,
19:49
S0
but it's it is direct from NLP.
19:53
S0
Yes. Heather.
19:56
S0
I am so impressed. Congratulations.
20:01
S0
Absolutely. And it's very influential at all points in your life.
20:08
S0
Yes. That's a big deal and that's why it's hard to escape.
20:20
S0
You see that gets me because that teaches you about you.
20:28
S0
As much as it gets me when somebody has all of it right in front of them and doesn't get it, it gets me that much in the other direction if when somebody has it in front of them and does get it. If you learn about this pattern, it will reveal almost everything you need to know about yourself. This is a huge rock in your stream and it's influenced almost everything that's going on in your life. Yeah. And you get it.
20:59
S0
Doesn't mean in ten minutes he'll get it, and he probably will because I get that he's playing with it all the way. You feel the stuff shifting and dancing and playing in there? Yeah. And you've pretended to be something else a lot, and you're not.
21:16
S0
There's also another VIP which we may get to today, which is internal and external. You happen to be internal and other. So it's not like there's nobody home. It's like the the one home doesn't ever get what they need.
21:31
S0
So it's there there's an odd gap there that you then live into. It's essential learning.
21:43
S7
Simultaneous.
21:49
S0
She said simultaneous.
21:53
S2
Do
21:57
S0
you have any other guesses?
22:13
S0
I watched something the other day. I watched the dance, and I watched you start to loosen up in the dance. And then I watched you start directing everybody.
22:27
S0
I watched you start directing everybody. When you started loosening up in the dance, I went, this is cool. And then that could only stay around for about thirty seconds, and then you started dictating what everybody else does. And I went, uh-oh,
22:47
S0
spaghetti o's. I think it's I think you're trying to be nice on top of a switch. And
23:01
S0
right now, can you tell you're pissed at me? No. I
23:08
S0
can. It's not hard to get because you keep trying to pretend that it's not going on.
23:21
S0
Can you feel it yet? Feel it in there.
23:30
S0
Look. I'm not cutting your tires.
23:36
S0
You keep trying to to do nice. I'm not saying you're not nice. I'm saying inside there are all these judgments and all these dishes and the way it should be and that isn't he he isn't doing what he should do and I mean
23:54
S0
some of these switchers let it out all the time. You don't. You kinda hold it in. Are you a good person?
24:07
S0
You.
24:10
S7
I consider myself a person.
24:12
S0
Are you a good person?
24:16
S0
Mike, up.
24:19
S7
Yes. I'm good.
24:20
S0
Are you? How do you know?
24:23
S7
I'm good to myself.
24:26
S0
How do you know?
24:28
S7
I just know. How? The way I treat myself.
24:33
S0
K. So you don't treat yourself badly?
24:38
S7
Yes.
24:39
S0
Don't you treat yourself both ways?
24:42
S4
Yes.
24:43
S0
Yet you're still a good person? Yes. It's time for more exploration of this.
24:51
S7
K.
24:52
S0
Because I I think you will discover the switch in there. And then you will be able to be much more gentle with yourself. This is in the way of you being did you feel the sadness that just went through? Yeah. Yeah. That's it. We see those go through when the accuracy is there. You're gonna be able to be much more gentle with yourself.
25:16
S0
I think you think that God runs switch.
25:26
S0
Am I mistaken? No. That's your switch, not God's.
25:35
S0
So you have objectified your switch out to the level of God when in fact that's just yours.
25:45
S0
Get it?
25:47
S0
So
25:50
S0
let's get curious what would happen if you didn't know what God wanted
25:55
S0
for a while. In other words, let's pretend that God put you here to find out what you needed to know rather than to do her will
26:07
S0
or his will.
26:11
S0
Get it? Yeah. That might be it might relieve a lot of pressure on you.
26:17
S7
Yeah. Definitely.
26:18
S0
That could be fun. And then you'd start laughing and stuff. See, I think you're ready to play.
26:31
S0
And objectifying your own switch to the level of God is a dangerous thing to do.
26:38
S7
We had a conversation about that.
26:40
S0
Yeah. So let's bring it back down. K. Thank you.
26:44
S7
You too.
26:48
S5
I'm not sure, but I'm open, but I'm probably closer to switch.
26:54
S0
What does he do? We finally have a simultaneous here. Oh, great. This is mister simultaneous. He doesn't mind what you think. He has what he thinks. He'll hear what you think. He has what he thinks. He it's an exchange between the two.
27:16
S0
Well, there there are four tests. There's a test for each one. To a self, where you say, what do they think? And the self goes,
27:27
S0
they?
27:30
S0
To another, you say, what do you think?
27:36
S0
Me?
27:38
S0
To a simultaneous, you say, you can't have it both ways.
27:46
S0
And to a switcher, you say, there's nothing you can do about it. It it that's these are the stimuli that send them nuts.
27:59
S0
Surely, there's nothing you can do
28:01
S5
right away.
28:02
S0
There's nothing you can do I
28:06
S5
will get
28:07
S7
get a it done. Gun.
28:09
S0
Yes. That's the switch. There's nothing you can do about it. You can't even hear it. That's
28:20
S0
that's the challenge.
28:24
S0
So what does she think of what we're doing here?
28:27
S6
She doesn't care what we're doing.
28:30
S0
No. But did you you said she doesn't care?
28:37
S0
Okay.
28:40
S5
She's sitting there, and she's like, yeah. Whatever.
28:44
S5
That's the feeling I get.
28:46
S0
Okay. Whatever. Great. Thanks.
28:53
S0
Simultaneous exchange. It's a beautiful thing. That's a hard program to carry. That's perhaps the hardest program to carry of the whole crew because it presumes a a split.
29:10
S0
So wholeness is gone right at the beginning because there's me and there's you. So that one gets kind of tough. I adore the people who do that. They're quite nice quite often, but they're they tend to lose things that are important to them in their life.
29:31
S0
Great. Thanks.
29:34
S7
Wow. This is an interesting cup of coffee.
29:42
S7
Well, this afternoon, sense that I'm a big cup of other with the whipped cream of simultaneous switch on top.
29:53
S0
What what I get is that this is a fairly small rock in your stream.
30:00
S0
It's sufficiently small that it's not even particularly relevant. So
30:08
S0
there's no there's not a lot of you can play with it, but there's not a lot of fruit in identification because it's too small.
30:16
S0
It's not influencing you much. That's what it looks like to me. We don't have that often, but we have it occasionally.
30:28
S0
Okay? That's why you get three of them is because it doesn't matter which one you pick. And if I were to scrape and you were to push me, I would say self. But
30:40
S0
it's a a bigger self than just you. It's it's a field around you, which includes people who are around you in as part of you. Just a guess.
30:55
S0
That make any sense? Okay.
31:00
S0
Jackson.
31:06
S0
We're gonna name a Pollock before you.
31:16
S0
Self. Self is right. Damn straight.
31:29
S0
It you're the only remaining one.
31:32
S7
Oh, I thought I was simultaneous.
31:34
S0
Robin. Robin. Take a step, Robin.
31:37
S7
I thought, I thought you told me I was simultaneous or you did. But I can usually go one way or the other.
31:44
S0
Or neither.
31:48
S0
Yes.
31:55
S0
I have a question for you. Do you ever take baths?
32:00
S7
Not since I moved to my new house.
32:03
S0
Oh, darn.
32:04
S7
I used to when I had a jetted tub.
32:07
S0
A jetted tub? Yeah. Okay. When you used to take baths, when you got in, did the water level rise?
32:15
S7
Yes.
32:16
S0
That's a good sign.
32:20
S0
That's a very good sign.
32:25
S0
That is some of the best news I've heard today.
32:30
S0
Have you ever seen the movie Jacob's Ladder? No. You might wanna see the movie Jacob's Ladder someday. It's not a good movie, but it is an intense movie.
32:49
S0
I think it is simultaneous.
32:53
S0
I think you died a long time ago and and gave up.
32:59
S0
And I think that it's not too late in the IC for you to be resurrected because it it it is the weekend
33:08
S7
How about tomorrow morning?
33:10
S0
For resurrection. Do you understand what I'm saying?
33:13
S3
Sorta. Easter.
33:15
S2
Easter time.
33:16
S0
Yeah.
33:28
S0
We can't do this on the last day of the IC, can we? Really?
33:38
S0
Maybe we can. Don't you dare.
34:04
S0
Kick it. Do what? Kick it.
34:06
S7
Kick it.
34:15
S0
Harder.
34:24
S0
Harder yet. Other foot.
34:31
S0
Right after you kick it, watch its movement and then bring everything back home to you. So put all of your effort into kicking it and then bring everything back to you.
34:51
S0
Back it goes. Back to you.
34:56
S0
Everything out and then everything back to you.
35:02
S0
Back to you. Back in. Back in. Way back into you.
35:11
S0
So what happens with simultaneous is they end up not here and not there either. They're lost somewhere in between. You've been hurt enough. You've been hurt a lot, and you went to this place where you don't exist in order to survive it.
35:32
S0
And you now need to find out that that's okay too.
35:38
S0
That that's okay too. And you do that partially by putting it out and then bringing it back in. Just really bring it back in. You need to never tell this I would assume given the work you've done, you've done a lot of work over time, I on yourself, I presume.
35:56
S7
No.
35:57
S0
No?
35:57
S7
Really?
35:58
S0
Really?
36:01
S0
You you may need one or two people to tell everything to in your life, not your husband. Somebody who somebody who you don't pay who's a friend, who you get to just talk to, and then you just get to dump everything in the see, it's it's not too late for you to be alive,
36:23
S0
but it is too late for you to keep doing this. Do you have any idea what I'm talking about? Yeah. It's time for you to be a person and and be here. So we didn't even need to have a chair for you because you don't occupy space. Next time I see you, I want you occupying space because it's it's the right of a human being to occupy space. It really is. So you put you you may need to talk to somebody about all of this stuff. Don't expect them to solve it. Just get rid of it and then bring whatever else shows up back in. It's time for you to come home. It's okay. It's much wounding too early and then the continued wounding over and over and over again. It's that doesn't get to dictate the rest of your life. Now you get to come home, and it's really time and it's gonna be about occupying your body. It's gonna be about occupying this and feeling this so that the next time you get a massage somebody goes, oh my, She's really here. I want you to be here. I want you to be here. I want you to be in here. We came to Earth to be here. It's time to be here.
37:48
S0
We could just play a little game called you and I say that's enough of not being here. You're a beautiful young woman. It's time to be here.
38:02
S0
Got it? Yeah. It's okay.
38:08
S0
That's all we're gonna do on it now. If we had more time or this was a week ago, we could do more. But out and then back in.
38:19
S0
Simultaneous results in losing typically everything at some point. You gotta bring it back home. You gotta go, uh-uh. Nope. Nope. Because I say so. Because I'm here and I'm Popeye.
38:40
S0
And that's all there is to it.
38:44
S0
Not because you're stuck, but just as a way to experiment with what it is to be a human being on earth. That's what you get to play with. What is it to what is it to displace matter?
38:59
S0
Because you know. What is it to move, please, man. What is it to sit on the couch as though you own it? The whole thing. So you occupy a smaller footprint as you can.
39:13
S0
The whole thing. So you see we have a lit a little girl on the couch with her feet. That's my couch.
39:21
S7
That's I'm on it right now.
39:23
S0
Yeah. And don't hesitate to sprawl. One arm goes up here, leg goes there. It's hey. There she is. The completely incompatible with the small footprint she lives with. You may wanna get a big pair of shoes.
39:46
S0
You get it? It's time for you to be here. It's really okay.
39:53
S0
Because this is your place. This is your earth, dear.
39:58
S0
I'm interested to find out what you do with this. K. K. This is simultaneous run out. Mhmm. And it did a did it a long time ago.
40:14
S0
You became more or less, something that got influenced by everybody rather than doing influence yourself. Can you see this? Yeah. Yeah. It's time for you to run the game because you have the ability to do so. Got it? Mhmm. K. Stay like that until you don't wanna be like that anymore and then get up because you said so because you have a center here that determines what's up. It's up to you. Was that ticklish? No. Okay. You you there you are.
40:49
S0
I wanna sit up now. So I'm sitting up. I wanna stand up now. Every single moment, I'm gonna take a breath.
41:03
S0
Not and this is an important point out of being stuck out of just because you can.
41:11
S0
Get it? Mhmm. That's where I would play if I were you.
41:17
S0
You might wanna explore what it is to be self.
41:22
S0
Me. Me. Me. Me. Me. Me. Me.
42:23
S0
This is about as cool a song as I know.
42:39
S0
Okay. You've just got introduced to this, but you're at a point where you can't close and where your skills are tremendously deep.
42:55
S0
They're there. So now you can just start to play with it. This is where we would start a VIP workshop. We would go right from the IC into that. That's the opportunity here. So, pick one of these that's nothing like what you do and sit here and have a little group meeting and run that pattern. So in other words, Jackson may wanna run other. What do you guys want? What do you guys wanna talk about? What constantly, all the attention comes out. You may, Bill, wanna run switch. Mhmm. Let him have it.
43:44
S0
K? So pick whatever something that you typically don't do and play. Take about ten minutes and try on a different one than you're used to playing with. There are many layers available in this play.
44:03
S0
Try on one different one. I want you to take one deep rather than four shallow.
44:10
S3
Any
44:12
S0
questions?
44:14
S0
Ready, set, go.
44:25
S0
What did
44:29
S0
what did you notice?
44:35
S0
Can you feel stuff opening up all over the place? That's the week we've created.
44:43
S7
Yeah. We all managed to select other.
44:48
S0
Oh, now that's a group.
44:51
S7
Don't know. What do you think?
44:56
S5
And what we found out is no matter where you go, that's who you are.
45:00
S0
That's who you're not.
45:03
S5
They he he said no matter what I said, that was a mask because underneath it was gonna be me.
45:09
S0
Yes. Exactly. The other song is getting to know you, forgetting all about me. Getting to know you, forgetting I exist.
45:27
S0
It's kind of a romantic song.
45:31
S0
Who else? What'd you notice?
45:32
S4
I'm sorry. I had a question.
45:41
S4
Are these concentric or or just random patterns? You don't necessarily move from switch up or down. They're just
45:49
S0
It can be any different one on the ring previous to it and any different one than the one out from it. But you don't jump rings often. When an electron jumps a ring, you have a different element.
46:05
S0
Don't you or not? Sometimes.
46:07
S2
It
46:07
S1
changes properties change in the
46:10
S0
It's a quantum. That's what we're talking about here.
46:12
S2
It's a quantum lip.
46:15
S0
A quantum lip.
46:21
S0
I never heard that phrase before, but I'm into it. And I really think that we could probably market a new lipstick that way, quantum lip.
46:31
S4
And Delina Jolie?
46:32
S7
I'll do the
46:33
S0
Quantum big big lips. Different
46:39
S0
groups, please. Talk
46:46
S0
about something controversial. Explore something controversial. Pick a different one of those to do.
46:54
S0
Ready? Go.
47:13
S0
Sing along.
47:35
S0
Any questions about what you just did?
47:41
S0
Do you you're starting to get a flavor of these?
47:46
S0
These will take you all the way down. Well, not all the way. They'll take you a long way down.
47:57
S2
In the first exercise, I couldn't seem to get anything going. I could kinda do a switch because it's really easy to contradict somebody, I thought. But
48:08
S2
came over here, and I was able to do self because I just modeled, Paula. Paula. And it was kinda and it was kinda cool.
48:23
S0
Can you imagine the usefulness of this? You have a business meeting. In the first fifteen seconds, you determine what the person's patterns are. You match them to nullify them, and then you're off to the races.
48:43
S0
Then you're off to the races. Brand new terrain for both of you from there on out. If you ever lose them, you just go right back, match their patterns. They go, oh, good. And then you're off to the races again.
48:54
S3
It simply is matching their patterns just with the VIPs right there?
48:59
S0
This is one parameter?
49:00
S3
Yeah. It's just one parameter. Yeah. Could match them just with that and it's gonna nullify.
49:03
S0
Tremendously influential.
49:05
S3
With either self other
49:07
S0
There are 14 VIPs, and this is one of them.
49:10
S3
That's one VIP. The self other simultaneous in switch. Yes.
49:17
S0
If along with that, you were able to determine their precise mix of visual auditory kinesthetic,
49:24
S0
then you can match that too. And then, add whichever one they don't have and now the meeting has just been a success because they've become more of a human being whether you ever settle on anything or not. They've just become more of a human being. They will know that you've just become the gift.
49:43
S0
Not kind On some level. On some level. Exactly. They will know that you
49:49
S0
you just gave to them. Their relationships will change for the better having just had that five minute meeting with you. Can we give And if they then have another one,
50:02
S0
then then it it just compounds. And at some point, they'll buy that house from you or that building or that they'll do the business with you because why wouldn't they? Right. And then you you end up with a friend in your life. It's just Lehman Brothers. My clients were my friends. My friends weren't my clients. That's a point of weakness. My clients became my friends.
50:32
S0
We got to know each other.
50:37
S0
It becomes sort of fun.
50:40
S0
We have 18 new people who are going to be IC graduates in less than an hour. That will leave a mark
50:52
S0
because you guys get to go out and influence lots of people. Whether you mean to or not, you will influence people in the airport tomorrow, some of you. You will influence people all over the place because you can't help it.
51:07
S0
You will open when you would not have. All of this will dance through, then pick a little something and practice it from time to time.
51:19
S0
Just a little bit.
51:30
S8
For more information about books, tapes, and seminars with Jerry Stocking, call us at (800) 899-2464. Thank you for listening.
51:41
S9
For more information on tapes, books, and seminars call (800) 899-2464. Thank you for listening.
51:53
S5
For more information about tapes, books, seminars by Jerry Stocking, please call (800) 899-2464. Thanks for listening.